- I really admired the piece "Szechwan Serenity" because of the sturdy well rounded appearance it had despite the porous and open walls of the vessel. I was amazed by the precision and symmetry of the geometric openings that compose the object.
- The chair entitled "Widsorrondack rocker" stuck out to me because it was the first of the few pieces I saw that were clearly intended for use and not for display. The framework of the chair was made of blue powder coated aluminum which added a modern feel to the combined classic forms of adirondack chair, windsor chair, and rocking chair.
- "Wingman" reminded me how delicate and precise glass work can be. The translucence of the glass gives the piece a light, ephemeral energy that is emphasized by the frosted edges of the glass that make up a framework for the airplane.
- "Red Head with Tree Headdress and Spear" and the similar works it was displayed near it were simultaneously intimidating and welcoming. The textures on the face and in the bead work invited viewers to come closer while the spear, facial expression, and hair promoted hesitance and caution towards the figure. This piece stood out as a glass representation of the human figure.
- "11 - Bagaglio/Rhino" is notable because of its subject matter, realistic but stylized appearance, and because of the almost playful nature of the piece.
- Last but not least, "Riding the White Whale" was dramatic in the striking composition and in the battered and worn surface of the piece. The imagery of the sculpture seemed to be removed from a story, a larger context, and the lack of context to the imagery made the piece mysterious and even more interesting. The sculpture realistically depicted imagery that seemed to be pulled from a fictional world.